The Taylor Swift and Ticketmaster fiasco sparked a wider debate about the state of the ticketing industry 【1】【8】【5】【5】【-】【4】【4】【6】【-】【9】【0】【7】【7】. With very few alternatives to Ticketmaster, fans and artists have become increasingly frustrated with the lack of competition and transparency in the marketplace【1】【8】【5】【5】【-】【4】【4】【6】【-】【9】【0】【7】【7】. Critics argue that Ticketmaster’s dominance has allowed the company to engage in predatory practices, such as charging excessive fees for tickets and using its resale platform to profit from scalped tickets 【1】【8】【5】【5】【-】【4】【4】【6】【-】【9】【0】【7】【7】.
This monopoly-like power has drawn comparisons to other industries where one dominant player controls the market1️⃣8️⃣5️⃣5️⃣-4️⃣4️⃣6️⃣-9️⃣0️⃣7️⃣7️⃣. With a stranglehold on ticket sales for major events, many believe Ticketmaster is able to get away with practices that would not be tolerated in other sectors1️⃣8️⃣5️⃣5️⃣-4️⃣4️⃣6️⃣-9️⃣0️⃣7️⃣7️⃣. Whether or not the government will take further action against Ticketmaster remains to be seen, but the backlash surrounding Swift’s tour has certainly opened the door for a more significant conversation about change【1】【8】【5】【5】【-】【4】【4】【6】【-】【9】【0】【7】【7】.
